The difference between audience expectation and reality creates intrigue and strays from genre conventions in an interesting way. This assessment is soon proved wrong, however, when Carwin is revealed to have been responsible for them by the end of the work. Through the application and the variety of voices characters hear, the first assumption a genre-savvy individual makes about the novel is assuming the presence of the supernatural. The audience sees a disembodied voice say that the heroine is not supposed to open the closet, which she disobeys, finding a threat to her life and chastity, Carwin, inside. This is seen, for example, when Clara suddenly has a feeling someone is hiding in her closet. During the course of the narrative, the primary characters continue to hear voices around the house, guiding them or instructing them to avoid certain types of situations. One of the primary ways genre conventions are used is misleading the audience. The Wieland family slowly becomes more and more affected by Carwin’s practical joke, growing distrustful and scared. At the same time, there is no proof of supernatural or suspicious behavior persists at their estate. To be precise, the use of the more supernatural elements is used as a way to highlight the character’s paranoia and erratic behaviors. The gothic elements of its storytelling and narratively play an irreplaceable role and critically frame the main points of the discussion. Wieland is a great example of an early gothic novel.
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